Ain't in Kansas Anymore Lyrics - Miranda Lambert

OST: Twisters

Song Lyrics

Ain't in Kansas Anymore Song Lyrics

[Verse 1]
A rattlesnake kiss, a buzz you get
When the whiskey burns and the nicotines hits
The devil you know, a taillight glow
Yeah, a heartbreak kid when you're moving too slow, come on

[Verse 2]
The restless win, you can't fence in
That barb on the wire, that wild in the horse
When you hear that train, when the sirens ring
Better batten down, baby, it's a hell of storm

[Chorus]
Hey-hey, oh-oh
I'm a renengade rebel with my pedal to thе floor
Hey-hey, oh-oh
Them boys don't know I ain't in Kansas anymorе

[Post-Chorus]
Na-na-na-na-na-na-na-na-na-na
Hell nah, I ain't in Kansas anymore (I ain't in Kansas anymore)
Na-na-na-na-na-na-na-na-na-na

[Verse 3]
A movie scene, a fever dream
When you catch your breath, you can come back down
You're torn apart like a trailer park
But you still can't wait 'til I come back around
[Chorus]
Hey-hey, oh-oh
I'm a renengade rebel with my pedal to the floor
Hey-hey, oh-oh
Them boys don't know I ain't in Kansas anymore

[Post-Chorus]
Na-na-na-na-na-na-na-na-na-na
Hell nah, I ain't in Kansas anymore
Na-na-na-na-na-na-na-na-na-na

[Chorus]
Hey-hey (Hey-hey), oh-oh (Oh-oh)
I'm a renengade rebel with my pedal to the floor
Hey-hey (Hey-hey), oh-oh (Oh-oh)
Them boys don't know I ain't in Kansas anymore (Come on)

[Post-Chorus]
Na-na-na-na-na-na-na-na-na-na (Oh)
Hell nah, I ain't in Kansas anymore (Hey-hey, oh-oh)
Na-na-na-na-na-na-na-na-na-na (Kansas anymore)

July, 12th 2024

Ain't in Kansas Anymore by Miranda Lambert

Producer: Jesse Frasure

Album: Twisters: The Album (2024)

Release Date: July 12, 2024

Writers: Miranda Lambert, Jesse Frasure, Jenee Fleenor

Lead Vocals: Miranda Lambert

Background Vocals: Miranda Lambert, Jesse Frasure

Mixing Engineer: Sean Moffitt

Mastering Engineer: Joe LaPorta

Label: Atlantic Records

Annotations and Meaning.

Miranda Lambert's "Ain't in Kansas Anymore" is a powerful and rebellious track from Twisters: The Album. The song encapsulates the concept of breaking free from limitations and embracing a wild, untamed soul.

[Verse 1].

The introductory line establishes a harsh tone with imagery of a "rattlesnake kiss" and the effects of booze and smoking. These sentences create a gritty and powerful atmosphere, underlining the protagonist's brave and arrogant personality. The phrase "heartbreak kid" implies a character who thrives on the edge and advances quickly through life's trials.

[Verse 2.]

Lambert depicts the uncontrollable energy in the second verse using metaphors such as "restless wind" and "wild in the horse." The stanza emphasizes the protagonist's incapacity to be confined or controlled, as represented by the barb on the wire and the impending storm. The sight of a train plus sirens heightens the sense of urgency and impending disaster.

[Chorus]

The chorus is a powerful expression of freedom and defiance. The protagonist identifies as a "renegade rebel" and abandons the familiarity of Kansas. The repeated sentence "I ain't in Kansas anymore" represents a departure from the familiar and a foray into the unknown, exemplifying a daring mindset.

[Post-Chorus]

The catchy "Na-na-na-na-na" and vehement "Hell nah, I ain't in Kansas anymore" in the post-chorus underscore the protagonist's resistance and emancipation from previous restraints.

[Verse 3].

The third verse adopts a cinematic tone, comparing the protagonist's experiences to a "movie scene" and a "fever dream." The lyrics "You're torn apart like a trailer park" and the anticipation of the protagonist's return emphasize the emotional intensity and magnetic draw they have.

[Chorus and post-chorus]

The repeating chorus and post-chorus underline the themes of revolt and unrestricted freedom, stressing the protagonist's departure from the familiar and into a fascinating, unexpected future.

"Ain't in Kansas Anymore" is a celebration about breaking free from limits and embodying a rebellious attitude. Miranda Lambert's powerful voice and vivid storytelling bring this concept to life, making it a memorable track on Twisters: The Album.

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