Temptation Lyrics - New Order

Background and Context
"Temptation" by New Order, released on May 10, 1982, is a cornerstone in the band's reoertoire, embodying their transition from post-punk to a more dance-oriented sound. This song, which underwent several re-recordings, the most notable in 1987, is famed for its inclusion on the "Trainspotting" soundtrack, enhancing its prominence. Bernard Sumner, the band's lead vocalist, introduced it as a tale of "long lost love" during a performance, highlighting its emotional depth and narrative quality​​​​.

Main Message and Theme
At its core, "Temptation" is a vivid exploration of inner conflict and the human condition's conplexities. The song navigates the terrain of desire, longing, and the inherent struggle between giving in to temptation and maintaining strength in the face of potential pain and heartache. It portrays a journey of self-discovery, where the protagonist seeks solace and understanding through solitude, contemplating their actions and desires​​.

The lyrics "Oh, you've got green eyes / Oh, you've got blue eyes / Oh, you've got grey eyes" and the repeated line "I've never met anyone quite like you before" encapsulate the unique and irresistible nature of the subject of temptation. This imagery, coupled with the refrain of walking alone to find one's soul, illustrates a narrative of realization and self-acceptance, despite the challenges posed by personal desires and the external world​​.

Musical and Lyrical Analysis
Musically, "Temptation" stands out for its vibrant energy and fusion of genres, aligning with New Order's signature blend of electronic, dance, and post-punk elements. The song's structure, with its repeating motifs and driving beat, mirrors the cyclical nature of the themes it explores, such as the ongoing battle with temptation and the search for identity and purpose.

The chorus, with its plea not to "let me hit the ground," alongside the verses detailing the internal and external struggles faced by the protagonist, showcases a universal narrative of vulnerability and resilience. The reference to "bolts from above" hurting "the people down below" suggests a sense of existential or societal pressures, reinforcing the song's deeper commentary on human experiences and the search for belonging​​​​.